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Deep Focus: Enriching the Aspen Experience
An array of micro-essays by accomplished musicologists, curated to enhance and enrich your historical and aesthetic engagement with the musical programming offered at Aspen’s summer seasons.
Fiddling “In the Barn” with Charles Ives
Charles Ives loved a good, old-fashioned, rural barn dance. At least, he thought he did. Ives readily admits that his musical representations of the barn dance—as heard in pieces like “Washington’s...
(continue reading)Serious Frivolity: Juggling the Profound and the Lighthearted in Beethoven’s Third and Fifth Cello Sonatas
Musicologist Kevin McBrien takes a sideways look at Ludwig van Beethoven’s Third and Fifth Cello Sonatas, suggesting that they contain comic moments as well as deeply felt emotions, and that the two are not as mutually exclusive as we might think.
(continue reading)Withdrawn from “the diversions of society”: Seclusion and Beethoven’s Chamber Music
Dr. Sarah Waltz guides us to some of the social meanings of chamber music for Beethoven, meditating on the intimacy of the form and its meanings for his time and our own.
(continue reading)-
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