recital
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A Recital by Jeremy Denk piano

July 10
7:30 pm
$75
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July 11    6:10 pm
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recital
02

A Recital by Jeremy Denk piano

July 10
7:30 pm
$75

Add to calendar
01

This event has
already taken place.

06

ALSO AVAILABLE

04
July 11    6:10 pm
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PROGRAM
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J.S. BACH: Partita No. 3 for Keyboard in A minor, BWV 827
CHAUVIN,JOPLIN: Heliotrope Bouquet
CRAWFORD SEEGER: Piano Study in Mixed Accents
MOZART: Gigue in G major, K. 574
LAMBERT: "Pilgrim's CHorus" from Tannhäuser (after Wagner)
BEETHOVEN: Piano Sonata No. 30 in E major, op. 109
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IVES: Piano Sonata No. 2, "Concord, Mass., 1840—60"

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Click here to read the program notes. 

This event is streaming live on medici.tv. The world's leading purveyor of online classical events, medici.tv will present five concerts from the AMFS, July 10-14, in high-end audio and video to millions of classical connoisseurs over five continents.

Winner of a 2013 MacArthur “Genius” Fellowship, the 2014 Avery Fisher Prize, and Musical America’s 2014 Instrumentalist of the Year Award, Jeremy Denk has been hailed by The New York Times as “a pianist you want to hear no matter what he performs, in whatever combination – both for his penetrating intellectual engagement with the music and for the generosity of his playing.”

In Denk’s words, “the ‘Concord’ Sonata, written over several years, represents Ives’s attempt to synthesize all his thinking—about music, art, and life—in a single vast statement. When it was first printed, in 1920, Ives also wrote a 30,000-word essay, in which he explained that the piece was an “impression of the spirit of transcendentalism that is associated in the minds of many with Concord, Mass., of over a half century ago.” The sonata is in four movements—“impressionistic pictures of Emerson and Thoreau, a sketch of the Alcotts, and a Scherzo supposed to reflect a lighter quality which is often found in the fantastic side of Hawthorne. It is full of polytonal, polyrhythmic mayhem and mashup: cacophonous marching bands, simple parlor tunes meant to represent Beth Alcott playing the family’s spinet, and, throughout, myriad quotations of the famous opening notes of Beethoven’s Fifth -a work that obsessed Ives. The effect is not just modern but actually postmodern: the piece is an iPod shuffle with a mind of its own. And from it emerges a paradox: as forward-looking as Ives was in his techniques, his music evokes a tender nostalgia for the America of the second half of the nineteenth century. The ‘Concord’ re-creates this vanished world before our ears.” South Florida Classical Review hailed Denk’s performance of the piece as “a staggering tour de force” which convinced many in the audience that they were “hearing a true masterpiece.”

Experience the brilliant artistry of the one the world’s most insightful and innovative pianists!

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With special thanks to Deborah and Richard Felder
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FEATURED ARTISTS
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