Aspen Contemporary Ensemble

Timothy Weiss, conductor
Donald Crockett, conductor

The Aspen Contemporary Ensemble (ACE) is in residence for the full eight-week session. This ensemble functions as the ensemble in collaboration with the Susan and Ford Schumann Center for Composition Studies and performs music by prominent living composers and twentieth-century classics, as well as new works by the Festival’s student composers. Instrumentation is as follows: flute/piccolo/alto flute, clarinet/e-flat clarinet/bass clarinet, violin (two), viola, cello, double bass, piano, and percussion. Members of this ensemble receive weekly private lessons with artist-faculty members and may also take elective courses. All student members receive a fellowship.  

The program is rigorous and, thus, members of the Aspen Contemporary Ensemble are expected to stay focused on their core curriculum and are not eligible to participate in concerto competitions.

Important Program Information

  • Program offered Full Session only
  • All students receive fellowships
  • All applicants must submit the required repertoire for their instrument in INDIVIDUAL VIDEO TRACKS
  • Statement of interest in contemporary music required

Teaching Faculty

How to Apply

APPLICATIONS OPEN SEPTEMBER 15

As of September 2024, the below ACE positions are open in for Summer 2025. However, applicants are encouraged to submit materials for consideration in the event a position becomes available. 

  • Clarinet
  • Violin
  • Double Bass
  • Piano

Applicants who are also interested in applying for the Orchestra/Instrumental program in their respective instruments must submit a separate application to each program. 

  • Resume required
  • Statement of interest in contemporary music required
  • Two letters of recommendation encouraged but not required
  • Audition repertoire required

All applicants must submit the required repertoire for their instrument in INDIVIDUAL VIDEO TRACKS. Repertory substitutions are allowed with permission from Tim Weiss, conductor. Please email directly at tim.weiss@oberlin.edu to request permission to make substitutions.

Apply Now

Violin Audition Repertoire

I. Required standard repertoire: One of the following sonatas:

  • BACH: Sonata No. 1 in G minor, BWV 1001, Adagio
  • BACH: Sonata No. 2 in A minor, BWV 1003, Grave
  • BACH: Sonata No. 3 in C major, BWV 1005, Adagio

II. Required contemporary repertoire: Two of the pieces listed below:

  • GABRIELA LENA FRANK: Suite Mestiza (two movements of applicant’s choice) 
  • AUGUSTA READ THOMAS: Pulsar  
  • PIERRE BOULEZ: Anthèmes I 
  • JESSIE MONTGOMERY: Rhapsody No. 1  
  • DANIEL BERNARD ROUMAIN: Filter 
  • ELLIOTT CARTER: 4 Lauds (any movement of applicant’s choice) 

Viola Audition Repertoire

I. Required standard repertoire

  • BACH: Two movements of a Suite for Cello or of a Sonata or Partita for Violin

II. Required contemporary repertoire: Two of the pieces listed below:

  • KRZYSZTOF PENDERECKI: Cadenza for Solo Viola 
  • GYÖRGY LIGETI: Sonata for Viola Solo (any movement of the candidate's choice) 
  • JOAN TOWER: Wild Purple 
  • SHULAMIT RAN: Perfect Storm 
  • NOKUTHULA NGWENYAMA: Sonoran Storm 
  • JESSIE MONTGOMERY: Rhapsody No. 2 arr. for viola

Cello Audition Repertoire

I. Required standard repertoire

  • BACH: Two contrasting movements from any of the six J.S. Bach Suites for Cello

II. Required contemporary repertoire: Two of the pieces listed below:

  • GEORGE CRUMB: Sonata for Solo Cello 
  • KAIJA SAARIAHO: Sept Papillons 
  • TANIA LEÓN: Four Pieces for Solo Cello 
  • REBECCA SAUNDERS: Solitude 
  • GEORGE LEWIS: Spinner 
  • ELLIOTT CARTER: Figment I

Double Bass Audition Repertoire

I. Required standard repertoire: One selection from the below:

  • Two movements from any of the six J.S. Bach Suites for Cello
  • One dance movement from a J.S. Bach Suite for Cello and the exposition from a standard concerto (without piano)

II. Required contemporary repertoire: One selection from the below or another solo work of similar difficulty and scope written within the last 50 years. If submitting a piece that is not included in the list, please submit a pdf of the score to rhardy@aspenmusic.org.

  • LUCIANO BERIO/STEFANO SCODANIBBIO: Sequenza XIVb for Double Bass
  • DU YUN: Zigzaggg
  • DAI FUJIKURA: Bis for Double Bass
  • SOFIA GUBAIDULINA: 3 movements from 8 studies for Double Bass
  • ELLIOTT CARTER: Figment III

Note: It is expected that the ACE double bass fellow has a C-extension.

Flute Audition Repertoire

I. Required standard repertoire: Two contrasting movements from the following selections without repeats:

  • J.S. BACH: Partita for Solo Flute in A minor, BWV 1013
  • C.P.E. BACH: Sonata for Solo Flute in A minor, H. 562

II. Required contemporary repertoire: Two of the following:

  • VALERIE COLEMAN, Danza de la Mariposa 
  • ALLISON LOGGINS-HULL: Homeland 
  • LUCIANO BERIO: Sequenza I for Flute 
  • TŌRU TAKEMITSU: Voice 
  • SOFIA GUBAIDULINA: Sonatina for Solo Flute

III. Piccolo: 

  • ARNOLD SCHOENBERG:  Pierrot lunaire, Op. 21, No. 18: Der Mondfleck 

IV. Alto Flute:

Clarinet Audition Repertoire

I. Two of the following works: 

  • JOAN TOWER: Wings  
  • LIZA LIM:  Sonorous Body 
  • SHULAMIT RAN:  For an Actor 
  • VIET CUONG:  Zanelle 
  • KAIJA SAARIAHO: Duft 
  • BRUNO MONTAVANI: Bug 
  • ELLIOTT CARTER: Gra

II. Bass Clarinet: Two from the following excerpts: 

  • MAURICE RAVEL: Daphnis et Chloé
    • Rehearsal number 156 to 161 
  • IGOR STRAVINSKY: Le Sacre Du Printemps: Introduction
    • Rehearsal number 4-6 and Rehearsal number 139–142 
  • RICHARD STRAUSS: Don Quixote
    • Rehearsal number 14–19 
  • DMITRI SHOSTAKOVICH: Concerto No. 1 in A minor for Violin and Orchestra op. 77
    • Rehearsal number 23–25 

Percussion Audition Repertoire

I. IANNIS XENAKIS: Rebonds B

II. Marimba: One selection from the following:

  • JACOB DRUCKMAN: Reflections on the Nature of Water (marimba)
  • FRANCO DONATONI: Mari (marimba)

III. Vibraphone: One selection from the following:

  • PHILIPPE MANOURY: Le livre des claviers, Mvt 4. — solo vibraphone
  • PHILIPPE HUREL: Loops II for Vibraphone
  • ALVIN SINGLETON: Argoru No. 7

Piano Audition Repertoire

I. Required standard repertoire: First movement of one of the following BEETHOVEN sonatas:

  • Op. 7
  • Op. 10 (No. 3)
  • Op. 22
  • Op. 31 (No. 1)
  • Op. 53
  • Op. 57
  • Op. 81a
  • Op. 106
  • Op. 111

II. Required contemporary repertoire: Two of the pieces listed below:

  • GYÖRGY LIGETI: L'escalier du diable from Études, Book II 
  • ELLIOTT CARTER: Caténaires 
  • KAIJA SAARIAHO: Ballade 
  • UNSUK CHIN: Piano Etudes (any two of the applicant’s choice) 

Application Fees & Deadlines

Deadline: January 5, 2025
Applications open September 15, 2024.

Application Fee(s):

$30 September 15–October 15, 2024
$60 October 16–December 15, 2024
$110 December 16–January 5, 2025